Pran Krishan Sikand (12 February 1920 – 12 July 2013), better known by his mononym, Pran, was a multiple Filmfare and BFJA award-winning Indian actor, known as a movie villain and character actor in Hindi cinema from the 1940s to the 1990s. He acted as a hero from 1940–47 and as a villain from 1942–1991 and played supporting and character roles from 1948–2007.
In a long and prolific career he appeared in over
350 films. He played the leading man in films like Khandaan (1942),
Pilpili Saheb (1954) and Halaku (1956). His roles in the films like
Madhumati (1958), Jis Desh Men Ganga Behti Hai (1960), Upkar (1967),
Shaheed (1965), Purab Aur Paschim (1970), Ram Aur Shyam(1967), Aansoo
Ban Gaye Phool (1969), Johny Mera Naam (1970), Victoria No. 203
(1972), Be-Imaan (1972), Zanjeer (1973), Don (1978), Amar Akbar
Anthony (1977) and Duniya (1984) are considered to be among his best
performances.
Pran has received numerous awards and honours in
his career. He won the Filmfare Best Supporting Actor Award in 1967,
1969 and 1972 and was awarded the Filmfare Lifetime Achievement Award
in 1997. He was awarded as the 'Villain of the Millennium' by
Stardust in 2000. The Government of India honoured him with the
Padma Bhushan in 2001 for his contributions to the arts. He was
honoured in 2013 with the Dadasaheb Phalke Award, the highest
national award for cinema artists, by the Government of India. In
2010, he was named on the list of CNN's Top 25 Asian actors of all
time.
He died on 12 July 2013 at the age of 93 of
pneumonia after suffering from a prolonged illness in Mumbai's
Lilavati Hospital.
Pran was born on 12 February 1920 in Ballimaran,
Kotgarh Old Delhi, into a wealthy Punjabi family. His father,
Kewal Krishan Sikand, was a civil engineer and a government civil
contractor; his mother was Rameshwari. Pran was one among their seven
children, being four sons and three daughters.
Pran was academically gifted, especially in
mathematics. His father had a transferable job, and so Pran studied
in various places, including Dehradun, Kapurthala, Meerut and Unnao
(Uttar Pradesh), finally completing his matriculation from Hamid
School, in Rampur (U.P.). Thereafter, he joined A. Das & Co.,
Delhi as an apprentice as to become a professional photographer. He
travelled to Shimla and played the role of Sita in a local staging of
"Ramlila". Madan Puri enacted the role of Rama in this
play.
Pran got his first role in Dalsukh M. Pancholi's
Punjabi film Yamla Jat (1940) because of an accidental meeting with
writer Wali Mohammad Wali at a shop in Lahore. Directed by Moti
B. Gidwani, the film featured Noor Jehan and Durga Khote. This was
followed by small roles in the film Chaudhary and Khajanchi, both in
1941. Pancholi cast him again in Khandaan (1942), which was Pran's
first Hindi film. The film featured him as romantic hero, opposite
Noor Jehan, who had acted with him in Yamla Jat as a child
artist. In Khandaan, she was less than 15 years old and
compensated for the difference in their heights in close-up shots in
the film by standing on the top of bricks. In the pre-partition
era, director Gidwani cast Pran in more films like Kaise Kahoon
(1945) and Khamosh Nigahen (1946).
Pran had acted in 22 films from 1942–46 in
Lahore, of which 18 were released by 1947. Due to India's partition
in 1947, his film career had a brief break during this time. While
his films from 1944–47 were all made in undivided India, but
Taraash (1951) and Khanabadosh (1952), both co-starring Manorama,
were released only in Pakistan after Partition. He left Lahore and
arrived in Bombay. For a few months, he kept looking for acting
opportunities while doing other jobs. He worked in Delmar Hotel,
Marine Drive for eight months, after which he got a chance to act in
1948. Because of help from writer Saadat Hasan Manto and actor Shyam,
he got a role in the Bombay Talkies' film, Ziddi which starred Dev
Anand and Kamini Kaushal in the lead and was directed by Shaheed
Latif. The movie launched Pran's career in Bombay. Incidentally, it
also proved to be Dev Anand's big break as a hero By 1950 he
was gradually established as a premier villain in Hindi cinema.
Within a week of Ziddi's success, he had signed three more films; S M
Yusuf's Grihasti (1948), which became a diamond jubilee hit, Prabhat
Films's Apradhi (1949) and Wali Mohammad's Putli (1949). By then,
Wali Mohammad, who was responsible for Pran's first role, had come to
Bombay and became a producer, setting up an office at Famous Studios,
near Mahalaxmi Racecourse.[16][17] In the 1940s, romantic duets
featuring him, like the songs "Tere Naaz Uthane Ko Jee Chahta
Hai" from Grihasti opposite Shardha and from Khandaan (1942)
with Noor Jehan, became popular in the 1940s. The way he expressed
his dialogues in films like Sheesh Mahal (1950), a series of
disguises he made in Adalat (1958) and the rapport he shared with
vamps like Kuldip Kaur in Jashan (1955) showcased his versatility in
the 1950s.
As a villain, Pran's initial successful films were
Ziddi and Bari Behan (1949). Pran's trademark blowing of smoke rings
first appeared in the latter film. He was regularly offered the
role of the main villain or of negative character in the films with
Dilip Kumar, Dev Anand and Raj Kapoor as the lead hero in the 1950s
and 60s. From the 1950s directors like M. V. Raman, Nanabhai Bhatt,
Kalidas, Ravindra Dave, I. S. Johar, Bimal Roy repeatedly cast him in
different roles in their many films. Similarly in the sixties, he was
frequent in the directorial ventures of A. Bhim Singh, Shakti
Samanta, Bhappi Sonie, K. Amarnath, Nasir Hussain and others. In the
1970s, new younger directors and producers cast him in their films
even though Pran asked for the highest price among supporting actors
from 1968–1982.
Pran's performance as the negative character was
appreciated especially in Dilip Kumar starrers like Azaad (1955),
Devdas (1955), Madhumati (1958), Dil Diya Dard Liya (1966), Ram Aur
Shyam (1967) and Aadmi (1968) and films with Dev Anand as the lead
man like Ziddi (1948), Munimji (1955), Amar Deep (1958), Jab Pyar
Kisi Se Hota Hai (1961) and with Raj Kapoor in Aah (1953), Chori
Chori (1956), Jagte Raho (1956), Chhalia (1960), Jis Desh Men Ganga
Behti Hai (1960), Dil Hi Toh Hai (1963). Films with him as the lead
hero, Pilpili Saheb (1954) and then Halaku in 1956, were big hits
too. He enacted roles in several genres, like as a pirate in Sindbad
the Sailor (1952) and Daughter of Sindbad (1958) and in action-packed
thrillers like Azad (1955); historicals such as Aan (1952) and Raj
Tilak (1958); social themes such as Baradari (1955) and light
romances like Munimji (1955) and Asha (1957). In the 1960s and
early 1970s, despite being in his forties, he continues to play
pivotal roles as a character of the age range of 25 to 30 in films
with Shammi Kapoor, Joy Mukherjee, Rajendra Kumar and Dharmendra as
the lead heroes. From the early 1950s to the early 1970s, Pran
gained particular notoriety among the audience due to his frequent
roles as a villain. From 1964, with Pooja Ke Phool and Kashmir Ki
Kali, he also brought a comical side to his negative characters.
While Dilip Kumar and Raj Kapoor's careers as the young hero started
to decline from the late 1960s and Rajendra Kumar and Shammi Kapoor
stopped playing the lead by 1973, Pran continued with his roles. His
association with Dev Anand, begun in 1948, continued even during the
1970s and the 1980s with Johny Mera Naam (1970), Yeh Gulistan Hamara
(1972), Joshila (1973), Warrant (1975) and Des Pardes (1978).
Pran played several roles in comedy films starring
Kishore Kumar and Mehmood Ali in the lead. His collaborations with
Mehmood includes Sadhu Aur Shaitaan (1968), Lakhon Me Ek (1971) and
with Kishore Kumar include Chham Chhama Chham (1952), Aasha, Bewaqoof
(1960), Half Ticket (1962) and Man-Mauji (1962).
In the late 1960s, Pran played Malang Chacha, a
veteran war hero, in Manoj Kumar's film Upkar (1967). The Kalyanji
Anandji song, "Kasme Waade Pyaar Wafaa" was picturised on
him in this film. In this film, Pran played a more sympathetic role
than previously. He also received his first Filmfare Award for Upkar.
Kumar continued to cast him in pivotal roles in films such as Purab
Aur Paschim (1970), Be-Imaan (1972), Sanyasi (1975) and Dus Numbri
(1976). From 1967 onwards he also acted in Bengali films, beginning
with Ashim Banerjee's Sonai Dighe, where Joy Mukherjee was the
hero.
Pran played the supporting role in several of
these films, which replaced his image as the villain with that of a
character actor. After 1969, he was offered the lead role in films
like Nanha Farishta (1969), Jangal Mein Mangal (1972), Dharma (1973),
Ek Kunwari Ek Kunwara (1973) and Rahu Ketu (1978).[24] Pran and Ashok
Kumar were very close friends in professional and real life and have
acted in 27 films together from 1951–1987 starting from Afsana
(1951). Their other films include Mr. X (1957), Adhikar (1971),
Victoria No. 203 (1972), Chori Mera Kaam (1975) and Raja Aur Rana
(1984). Sung by Kishore Kumar, the songs "Hum Bolega To Bologe
Ke Bolta Hai" from Kasauti (1974), "Micheal Daru Pita Hai"
from Majboor (1974), picturised on Pran, were very popular.
During 1969–1982, Pran was one of the highest
paid actors of Bollywood. He played the lead role in the film
Aurat (1967) paired opposite Padmini, with Rajesh Khanna in a
supporting role. Pran and Khanna worked in five more films –
Maryada (1971), Jaanwar (1983), Souten (1983), Bewafai (1985) and
Durgaa (1985). In 1973, he recommended Amitabh Bachchan to Prakash
Mehra for the character of Vijay in Zanjeer, a role earlier offered
to Dev Anand and Dharmendra. Pran's role as Sher Khan, with his red
wig and beard and Pathani style was well appreciated. Pran acted
with Bachchan in about 14 films with notable ones being Zanjeer, Don
(1978), Amar Akbar Anthony (1977), Dostana (1980), Naseeb (1981) and
Sharaabi (1984).
Pran also occasionally accepted antagonistic roles
from 1971–1992. He appeared as a villain in films like Maryada,
Naya Zamana, Jawan Muhabat, Aan Baan, Roop Tera Mastana, Yeh Gulistan
Hamara, Gaddar, Rahu Ketu, Andha Kanoon (1983), Duniya (1984), Insaaf
Kaun Karega, Durgaa, Bewafai, Hoshiyar, Dharm Adhikari and Azaad Desh
Ke Ghulam. Pran had dual roles in Khoon Ka Rishta, Insaaf and
Jangal Mein Mangal.
He also produced the movie Lakshmanrekha in
1991,the only movie he produced in his whole Bollywood career and
even played the role of Kishan Lal Sharma in movie.
At the age of 78, Pran suffered a heart attack in
1998, after which he started rejecting film offers due to
age-related problems. But in the 1990s, Amitabh Bachchan requested
Pran to do roles in his home productions Tere Mere Sapne (1996)
Mrityudata (1997) and Pran made an exception by acting in them to
help Bachchan through a difficult time in his career. In 1997, his
character in Mrityudaata was modified to compensate for Pran's
shivering legs in real life and in Tere Mere Sapne, his shots were
taken with him being seated. Post 2000, he made few guest
appearances.
Pran had a marathon six-decade career in Hindi
cinema and is one of the most celebrated actors of the industry. His
acting is said to have been effective enough to desist people naming
their children 'Pran' because of his negative roles, while the
industry had started calling him 'Pran Sahab'. His favourite line
"Barkhurdaar" became immensely popular.
His biography, ...and Pran, a tribute to the fact
that about 250 of his 350 movies had his name at the end of the
credits, with the words "...and Pran" and sometimes
"...above all, Pran".
In 2012, he gave his hand print for "Legend's
Walk", a waterfront promenade in Bandra.
Pran married Shukla Ahluwalia in 1945 and has two
sons, Arvind and Sunil Sikand and a daughter, Pinky. He was
treated at the Lilavati Hospital and died on 12 July 2013, at 8:30
p.m. He had been admitted to hospital a few times in the last few
months for his deteriorating health, at some point he was battling
pneumonia. Consequently, he could not attend the 60th National
Film Awards in May 2013 where he was to be presented the Dadasaheb
Phalke Award. Instead, Information and broadcasting minister Manish
Tewari presented the award at Pran's home in Mumbai. Pran's death was
widely noted by statesmen and his fellow entertainers. Prime
Minister Manmohan Singh paid his condolences on his death and called
him "an icon". Veteran actor Amitabh Bachchan tweeted
his feelings about his death calling him a "magnificent pillar"
of the film industry.
Pran has been honoured with numerous awards for
his portrayal of both negative and character roles. He has received
three Filmfare Awards in the Best Supporting Actor category for
Upkar, Aansoo Ban Gaye Phool and Be-Imaan. However, in 1973 when he
was awarded for his role of constable Ram Singh in Be-Imaan, he
refused to accept the award stating that the Filmfare Award for Best
Music Director should have gone to Ghulam Mohammed for Pakeezah and
not to the musical duo Shankar Jaikishan for Be-imaan. He
also has been awarded with three Bengal Film Journalists' Association
Awards for his supporting roles.
For his vast contributions to Indian cinema, Pran
has been honoured several Lifetime Achievement awards; including
those of Filmfare, Star Screen Awards and Zee Cine Awards. In 2001,
the Government of India conferred the Padma Bhushan on him. Recently
in April 2013, he was announced to be the winner of the Dadasaheb
Phalke Award, the most prestigious award of the Indian cinema,
presented by the Government of India. The award was presented to him
at the 60th National Film Awards for his lifetime of work in the film
industry. Various celebrities had congratulated him on this
occasion with Amitabh Bachchan calling him "a large pillar of
the Indian Film Industry" on his Twitter feed. He was also
the contender of the award for the previous year along with Manoj
Kumar and Vyjayanthimala, but Soumitra Chatterjee had been chosen as
the awardee.
Civilian Award :
2001 – Padma Bhushan, India's third highest
civilian award from the Government of India.
National Film Awards :
2013 – Dadasaheb Phalke Award for lifetime
achievement.
Filmfare Awards :
- 1967 – Filmfare Best Supporting Actor Award for Upkar
- 1969 – Filmfare Best Supporting Actor Award for Aansoo Ban Gaye Phool
- 1972 – Filmfare Best Supporting Actor Award for Be-Imaan
- 1997 – Filmfare Lifetime Achievement Award
Bengal Film Journalists' Association Awards :
- 1961 – BFJA Awards: Best Actor in a Supporting Role: Jis Desh Men Ganga Behti Hai
- 1966 – BFJA Awards: Best Actor in a Supporting Role: Shaheed
- 1973 – BFJA Awards: Best Actor in a Supporting Role: Zanjeer
Other awards and Recognitions :
- 1972–73 – Chitrlok Cine Circle Ahmedabad: "Best Character Artiste Award".
- 1975–76 – Bombay Film Award: Most Versatile Actor.
- 1977–78 – Bombay Film Award: Most Versatile Actor.
- 1978 – North Bombay Jaycees: Best Character Actor.
- 1984 – "Extra Ordinary Special Award as Wizard of Acting" by Bombay Film Award.
- 1984 – Filmgoers Award: Reigning "Abhinay Samrat".
- 1985 – Kala Bhushan Award presented by Punjabi Kala Sangam.
- 1987 – North Bombay Jaycees: Outstanding Performance of Decade.
- "Viyayshree Award" presented for enriching Human Life and Outstanding Attainments India Int. Friendship Society).
- "Ars Gratia Artis" for excellence in emotive Art.
- 1990 – Kala Rattan Award presented by Punjabi Kal Sangam for 50 glorious Years.
- 1990 – Punjab Association: an Award for 50 years in the Industry.
- 1990 – Southall Lion's Club London: "In recognition of Invaluable Services to Charity at the Celebration of Golden Jubilee of his services tot Film Industry.
- 1991 – Cinegoers Award: "Abhinay Samrat Golden Jubilee Award".
- 1992 – Outstanding contribution to Indian Film Industry, Indian Motion Pictures Producers' Association.
- 2000 – Star Screen Lifetime Achievement Award
- 2000 – Zee Cine Award for Lifetime Achievement
- 2000 – "Villain of the Millennium" by Stardust Award.
- 2004 – Lifetime Achievement Award instituted by the Maharashtra Government.
- 2010 – Phalke Icon and Legendary Cine Versatile Cine Star Award by Dadasaheb Phalke Academy.
Pran's Filmography with Super Star Rajesh Khanna :
- Aurat (1967)
- Guddi (1971)
- Maryada (1971)
- Zanjeer (1973)
- Naseeb (1981)
- Film Hi Film (1983)
- Jaanwar (1983)
- Souten (1983)
- Durgaa (1985)
- Bewafai (1985)
- Goraa (1987)
- Sitapur Ki Geeta (1987)
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